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Untitled #1, 2006 |
Untitled #4, 2006 |
Untitled #8, 2006 |
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Untitled #9, 2006 |
Untitled #10, 2006 |
Untitled #11, 2006 |
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Untitled #12, 2006 |
Untitled #15, 2006 |
Untitled #16, 2006 |
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Untitled #17, 2006 |
Untitled #18, 2006 |
Untitled #20, 2006 |
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Untitled #21, 2006 |
Untitled #22, 2006 |
Untitled #23, 2006 |
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Untitled #24, 2006 |
Untitled #25, 2006 |
Untitled #27, 2006 |
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Untitled #32, 2006 |
Untitled #35, 2006 |
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PRESS RELEASE
Edwynn Houk Gallery is pleased to announce the first New York exhibition
of photographs by Mikhail Baryshnikov. Compiled over a series of
extended visits to the island, Dominican Moves yields a sensitive
look at Dominican culture and place through dance, “Mikhail
Baryshnikov: Dominican Moves” will be on view from 1 March
through 31 March. An opening reception for the artist will be held
on Thursday March 1 from 6-8 p.m.
“In search of the spirit of a people,” Mikhail Baryshnikov’s
Dominican Moves investigates the connection between dance and larger
notions of national ethos. The Dominicans have amalgamated their
rich musical heritage into a range of different dance styles including
Son, Bachata, Merengue, and most recently, Reggaeton. In Dominican
Moves, Mikhail Baryshnikov strives to capture this national affection
for movement. Exploring locations ranging from roadside cafes to
exotic dance halls, Mikhail Baryshnikov captures Dominicans in graceful
arabesques of light and shadow. With particular attention to the
character of movement, “its energy and the space around it,”
Dominican Moves catches motion in brilliant casts of iridescent
light.
Born in Riga, Latvia in 1948 to Russian parents, Mikhail Baryshnikov
first achieved international acclaim as a dancer with the Kirov
Ballet, and later as the principal dancer with the American Ballet
Theater and the New York City Ballet. Baryshnikov’s introduction
to photography was filtered through the constrained lens of Soviet
Russia; however by his late teens he was exposed to the more expressive
work of Irving Penn, Richard Avedon, Edward Weston, and Henri Cartier-Bresson.
In the mid 1980’s, after encouragement from photographer friends,
Baryshnikov began to seriously investigate the world through a viewfinder.
Incorporating Weston’s sinuous line, and Bresson’s rendering
of the moment, Baryshnikov’s Dominican Moves captures the
sensuality and profound intimacy of his subjects.
Mikhail Baryshnikov’s photographs have been exhibited in a
variety of museums and galleries all over the world including: The
Pushkin State Museum of Fine Arts, Moscow; The Latvian National
Opera House, Riga; The St. Petersburg History of Photography Museum,
St. Petersburg; The Cortona Festival del Sole, Cortona, Spain; The
Gallery at the Metropolitan Opera House, New York; The Movado Gallery,
New York; The Kennedy Center; Washington D.C. and The Gibbes Museum,
Charleston, North Carolina.
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