Lynn Davis: On Ice at The Glass House presents a selection of photographs from the artist’s longstanding engagement with the icebergs on the sea outside of Ilulissat, a small town on the edge of a glacier off the west coast of Greenland. Developed over the course of six expeditions that began in 1986, Davis’s photographs evidence strong affinities with the spare geometry of minimalist sculpture and track the dramatic transformation of the natural environment.
In the 1970s, working alongside her peers Peter Hujar and Robert Mapplethorpe, Davis developed her formative work that explored the sculptural qualities of the nude body. Although the subject of her work shifted after her first trip to the Arctic in the 1980s, her aesthetic concerns have remained constant. According to Davis, “I wasn’t looking at landscape per se, but for objects outside that reflected a minimalist geometric approach to landscape and structure.”
On view in the Painting Gallery, the exhibition includes ten large format gelatin silver prints and three archival pigment prints dating from 2000 to 2016. The latter works belong to the artist’s recent Fata Morgana series, a group of digitally manipulated images that relate in part to the naturally occurring optical illusions created by a confluence of complex environmental conditions. As the Glass House commemorates its 10th year as a site of the National Trust for Historic Preservation, the exhibition additionally celebrates Davis’s friendship with David Whitney and Philip Johnson, both of whom collected the artist’s work.
The exhibition is organized by Hilary Lewis, Chief Curator & Creative Director, and Cole Akers, Curator & Special Projects Manager.
