New York Times Review of "Ansel Adams in Our Time"

Abelardo Morell converted a dark, sealed tent into a camera obscura. An image of what an attached periscope saw was projected through its angled mirror onto the tent’s ground. He then photographed that underfoot image and printed it just as it was, showcasing America the beautiful through smatters and tatters of grass and dirt, as if the soles of our shoes had risen up to insist they were as essential to viewing as the view itself.